Allison, K, ‘Women and the Press 1926 – 1928’, International Journal of Sociology and Economics, 2011

 

Bagnall, D M, Chicago’s Own Samuel M Nickerson Mansion: An American Palace, University of Chicago Press, 2011

 

Baker, C A, From the Hand to the Machine. Nineteenth-Century American Paper and Mediums: Technologies, Materials, and Conservation, The Legacy Press, 2010

 

Baron, W, ‘British Art in the Time of William Nicholson’, Introduction to Modern Art Press, 2011, pp 8 – 21

 

Beaumont, M R, Albert Irvin: The Complete Prints, Lund Humphries, 2010

 

Beddington, C B F, Venice: Canaletto and His Rivals, National Gallery Company, London, 2010

 

Benitez-Johannot, P, ‘Making Art and History Matter: The Lopez Memorial Museum at Fifty’ in Arts of Asia Magazine, Hong Kong, Arts of Asia Publishing, May 2010

 

Benitez-Johannot, P, ‘Finding Ourselves in Southeast Asia’ in Paths of Origins: The Uastronesian Heritage in the National Museum of the Philippines, the Museum Nasiona Indonesia, and the Netherlands National Museum of Ethnology, ed.  Manilla, Singapore, ArtPostAsia, 2011

 

Borsook, E, Viva Rosanna, Polistampa, November 2010

 

Brockington, G, Above the Battlefield: Modernism and the Peace Movemnt in Britain, 1900 – 1918, Yale University Press, 2010

 

Bryant, J, Art and Design for All: The Victoria and Albert Museum, V&A Publishing, 2011

 

Chaudhuri, P, ‘The Reception and the Classics’ ed., Cambridge, 2012

 

Clarke, D, Chinese Art and its Encounter with the World, Hong Kong University Press, 2011

 

Czeczot-Gawrak, J, ‘Colour Scheme of the Historical Elevations from Medieval Times to Present’, National Heritage Board of Poland, 2010 pp 177 – 182

 

Davidson-Ladd, J, Auckland Art Gallery Toi o Tamaki: Writing Guide, Auckland Art Gallery, 2010

 

Duffy, M, Royal Tombs of Medieval England, History Press, 2011

 

Feather, J, British Watercolours and Drawings: Lord Neverhulme’s Collection in the Lady Lever Art Gallery, Liverpool University Press, 2010

 

Finlay, J, Picasso’s World, Carlton Books, 2011

 

Fontanella, M, The Great Upheaval: Modern Art from the Guggenheim Collection, 1910-1918, Guggenheim Museum, 2011

 

Greer, E, and N Penny, ‘Giorgione and the National Gallery’, The Burlington Magazine Vol. 152, No. 1287, June 2010

 

Holman, M, Richard Rome, Lund Humphries, 2011

 

Hopkinson, M, Ex Libraries: The Art of Booknotes, British Museum Press, 2011

 

Horowitz, N, Art of the Deal: Contemporary Art in a Global Financial Market, Princeton University Press, 2011

 

Jackson, Neil M Saltaire: The Making of a Model Town, Spire Books, 2010

 

Jago, L, Montacute House, Bloomsbury, 2010

 

Jowell, F, ‘Review: R B Yeazell, Art of the Everyday, Dutch Painting and the Realist Novel’, The Burlington Magazine, Vol. CLH, No. 1291, October 2010, p 688

 

Jowell, F, ‘Review: N Athanassolgou Kallmyer, Theodore Gericault’, Phaidon, London and New York, 2010

 

Jowell, F, ‘Review: Lois Delteil, Theodore Gericault: The Graphic Work – L’Oevre Grave.  A Catalogue Raissone’, Burlington Magazine, Vol. CLII, May 2011, pp 335 – 336

 

Klein, H A, ed., Treasures of Heaven, British Museum Press, 2011

 

Knot, C A, ‘George Vernon 1636 – 1702 “Who Built this House” Sudbury Hall, Derbyshire’, Tun House Publishing, 2010

 

Leavitt Borne, M, and Melanie Vandenbrouk-Przylbski, The New Medalists, British Art Medal Trust, British Museum, February 2012

 

Linder-Gaillard, I, ‘From Situation Ideale to Little Journey: A Short Voyage into the ‘Unprecedented Semiotics’ of Giana Pane’s Actions’, in Giana Pane, Dijon: les Presses du reel, 2011, pp 31 – 37

 

Linder-Gaillard, I, ‘Modern Art and Catholicism’, in New Catholic Encyclopedia: Supplement 2011, ed. R. L. Fastiggi, Gale, 2011, pp 557 – 565

 

Livingstone, M E, and C Kinley, Peter Kinley, Lund Humphries, 2010

 

Livingstone, M E, Paula Rego, Museo de Arte Contemporaneo de Monterrey, 2010

 

Livingstone, M E, Kitaj, Phaidon, 2010

 

Lord Brown, K, The Beauty Chorus, Corvus, 2011

 

Lymberopoulou, A, ‘Late and Post-Byzantine art under Venetian Rule: Frescoes versus Icons and Crete in the middle’, in The Blackwell Companion to Byzantium, L. James, ed., Oxford University Press, 2010, pp 351 – 370

 

Lymberopoulou, A, ed., Images of the Byzantine World: Visions, Messages, Meanings, Studies Presented to Leslie Brubaker, Ashgate, 2011

 

Ly-Tio-Fane, M, and Jean Deluche, eds, ‘Pierre Sonnerat “Nouveau Voyage aux Indes Orientales” (1786 – 1813)’, Ecole Francaise d’Extreme Orient, Institut francais de Pondechery, 29, December 2010, p 377

 

Martin, S, John Tunnard: Inner Space to Outer Space, Pallant House Gallery, 2010

 

McNeill, J S, The Medieval Chantry in England and Wales, JBAA 164, October 2011

 

Meller, H, London Cemeteries, 5th Edition, History Press, 2011

 

Miller, L E, Prologue to Mirren Arzalluz, La Forja del Maestro, San Sebastian, Nerea, 2010

 

Miller, L E, ‘Snapshot 11.  Fashion and Silk Design’, eds P Mcneil and G Riello, The Fashion Reader, In Global Perspectives, Routledge, 2010 pp 214 – 216

 

Parimoo, R, ‘Art of Three Tagores, From Revival to Modernity’, Kumar Gallery, Sundar Nagar, New Delhi, 2011, 55p pages, 880 Plates.

 

Phillips, C. V, ‘Dmitry Mikkaylovich Gotitsyn (1721-1793): An 18th Century Russian Drawings Collector’, Master Drawings, Winter 2011, Volume :49/4. 533-548.

 

Powell, C, (with S Hebron) ‘A Cumberland Artist Rediscovered: John Smith (1974-1831)’, Wordsworth Trust, 2011.

 

Pugh, S D, "From Pugin to Voysey: Collecting and preserving nineteenth-century drawings and archives" in The Victorian Society, 2010, vol. II, pp. 63-74.

 

Riddell, R. J, Temple Beauties: The Entrance Portico in the Architecture of Great Britain 1630-1850, Archaeopress, Oxford,

10/12/2011.

 

Rudolph, W K, 'Treasures of English and American Painting and Decorative Arts from the Julian Wood Glass Jr. Collection, Rizzoli/Skira, 2011.

 

Rudolph, W K, 'In Search of Julien Hudson: Free Artist of Color in Pre-Civil War New Orleans', The Historic New Orleans Collection, 2010.

 

Runeberg, U ,‘Übertüncht und abgedeck- ein verbozgenen Heckel’, Published by Restauro/Callway, December 2011, Volume 8.

 

Runeberg, U ,‘, "Stockfleckenbefall von Acrylmalerei auf Bildtragernaus Hartfasermaterial" in Handbuch der Oberflachenreinigung, Verlag Muller Straten Munchen, 2011.

 

Salvesen, M.A, ‘Exploring Gardens and Green Spaces from Connecticut to the Delaware Valley’, W.W. Norton &Company, September 2011.

 

Schlenker, I, Elias Canetti, Marie-Louise von Motesiczky: Liebhaber ohne Adresse, ed. Ines Schlenker and Kristian Wachinger, Hanser, 2011.

 

Simon, R. J. H., ‘Gesture, expression and identity in Hogarth's images of The Beggar's Opera’ in The Stage's Glory: John Rich (1692-1761), ed. J Barlow and B Joncus, University of Delaware, 2011.

 

Sperber, D, On Changes in Jewish Liturgy: Options and Limitations, Urim Publications, 2010.

 

Stirton, P.A.W., (ed), ‘West 86th: A Journal of Decorative Arts, Design History and Material Culture’ Published by Bard Graduate Center and University of Chicago Press. 2011.

 

Tanabe, K, ‘Leonardo da Vinci's 'A Young Woman Paintings': The Subject and the Dating’, Univeristy of Seijo, 28 March 2011, Bulletin of Aesthetics and History of Art, pp. 29-46.

 

Trusted, M H, Two Artists: Velazquez-Picasso: Las Meninas , Horizons 2010.

 

Tudor-Craig, P, ‘Harlaxton Symposium of Medieval Studies’, Vol XX, Shaun Tyas, 2010, pp 1 - 5.

 

Vandenbrouck-Przybylski, M, and M Leavitt Bourne, with an introduction by P Attwood. The New Medallists, London: The British Art Medal Trust, 2012,

 

Von Keller, C.,Alighiero e Boelti Niente Tulto, Published by: Kunstmuseum Ziechtenstein, 2005, 55 pages.

 

Wander, S, The Joshua Roll, Gebunden. Published by: Reichert Verlag, 2012.

 

Wijnia, L, "Paris: City of Modern Art 1900-1960 'Vanuit Nederland; Paris en Modezniteit in 3 Strappen'" Ludion, Antwerp. October 2011, Exhibit Catalogue, Pages 15-23.

 

Williamson, B, "How Magnificent Was Medieval Art", in Magnificence and the Sublime in Medieval Aesthetics: Art, Architecture, Literature, Music, ed. C. S. Jaeger, Palgrave Macmillan, 2010.

 

Wilson, M, 'Revitalizing Jewellery Design', Decorative Arts Society Journal, no. 33, 2009, pp 55-73.

 

Wilton-Ely, J, "Style and Serendipity: Adam, Walpole, and Strawberry Hill", British Art Journal Spring 2011 Vol. XI No. 3, pp3-14.

 

Windsor, A E, ‘Anthony Gross: Paintings and Prints from the 1950s’, The Reading Gallery, 2010, pp. 3-7.

 

Compiled by Meg Kissel and Alison Tinsdale, Development Office Interns