Illuminating Objects shines new light on unexpected objects from the decorative arts and sculpture collections in a series of small displays focused around one object.
The point of Illuminating Objects is to dust off (sometimes quite literally!) these wonderful , unexpected and largely unknown objects. Each object will remain on display for three months.
The project is delivered in partnership with interns from a variety of disciplines and institutions including SOAS, King’s College London, the University of Kent in Canterbury, Imperial College and University College London.
Queen Anne Silver Coffee Pot
26 November 2014 to 1 March 2015
This Illuminating Objects display reflects on an early 18th century English coffeepot from the perspective of the cultural context of coffee consumption.
The display was researched and prepared by Maryam Ala Amjadi, a doctoral candidate in the School of English jointly at the University of Kent in Canterbury and the Universidad do Porto, Portugal.
WEST AFRICAN LOOM PULLEY
4 June - 12 November 2014
The current object on display in the Illuminating Objects series is a beautifully carved wooden loom pulley used in textile weaving, made by the Guro people of Côte D'Ivoire in West Africa in the late 19th or early 20th century. The display was researched and prepared by Niamh Collard, a doctoral candidate in Anthropology at the School of Oriental and African Studies, University of London. Her doctoral research is concerned with the educational and working lives of narrow-strip weavers in eastern Ghana and she is in the process of writing up her thesis, having returned from a year in the field during which she apprenticed as a weaver.
On display from 6 November 2013
This Illuminating Objects display showcases an Iznik dish (1560-65), researched and presented by Laila El-Sayed, a PhD candidate in the School of English jointly at the University of Kent and the Freie Universität in Berlin. The dish is interpreted through a textual analysis of the floral symbolism - the whirling composition is seen in the light of mystical meditations and the language of flowers through Ottoman lyrical poetry.
Filigree Drinking Glasses
24 July to 4 November 2013
The two glasses on display in this Illuminating Objects span this era of European glass making. The first glass is a beautifully patterned Venetian or Venetian-style goblet; decorated with a delicate white pattern which is echoed in the stem of the second glass on display- an 18th century English wineglass. This summer’s Illuminating Objects is a collaboration with a student from Imperial College London. Victoria Druce is studying for a postgraduate degree in Science Communication and is interested in the science of the objects she is displaying: a Venetian or Venetian style 16th century goblet and an 18th century English wine glass.
German Miniature Picture Bibles
1 May to 22 July 2013
This pair of German miniature picture Bibles entitled Dess Alten Testaments Mittler: Dess Neuen Testaments Mittler, was produced by two sisters from Augsburg in the late seventeenth century. They were most likely designed for use in private devotion. The dish has been researched, presented and interpreted by Josephine Neil, a PhD candidate in Theology and the Arts, at King's College London.
SPANISH LUSTRE DISH
6 February to 29 April 2013
This splendid luxury object is displayed on its own for the first time since it was acquired by The Gallery, as part of the Gambier-Parry bequest in 1966. The dish has been researched, presented and interpreted by Tanja Tolar, a PhD candidate in the History of Art and Archaeology at the School of Oriental and African Studies (SOAS, University of London).
Mount Athos Cross
30 October 2012 to 3 February 2013
The intern responsible for the first Illuminating Object is Dr Eleni Dimitriadou, who recently completed her PhD in Byzantine art at The Courtauld Institute of Art, and is currently working as a Visiting Lecturer, in addition to her work as research assistant at the British Museum where she is cataloguing Byzantine material.