In this issue:

still life painting consisting of flowers on a dark background
Ori Gersht (b.1967), Blow Up No. 4 (2007)

Rogier van der Weyden and Early Netherlandish Wall Memorials

Douglas Brine

Common Derivation: Couple Holding a Wreath, a Late-Medieval Pipeclay Figurine

from the Collection of the Victoria and Albert Museum

Noa Turel


Bourgeois Ambition and Whist for Wives in John Everett Millais’s Hearts are Trumps

Emily Talbot

Screening Poetry: Guillaume Apollinaire, André Breton and Experimental Cinema

Caroline Levitt


Images, Manuscripts and Hagiolatry: Edward B. Garrison and the Study of Late-Medieval Italian Art

Jessica N. Richardson


Hal Foster in Conversation

Catherine Grant


immediations, the first research journal to come out of The Courtauld Institute of Art since its inception in 1932, publishes innovative research across the entire span of art history: from classical antiquity to the present day. Reflecting the strong research record of the Institute, immediations approaches the history of art from a wide range of perspectives and expertise, accommodating close reading of individual works of art and architecture, as well as broad theoretical issues.