Postgraduate Research journal
Immediations: Volume 2, no. 4 (2011)
immediations, the first research journal
to come out of The Courtauld Institute of Art since its inception
in 1932, publishes innovative research across the entire span
of art history, from classical antiquity to the present day.
Reflecting the strong research record of the Institute, immediations approaches the history of art from a wide range of perspectives and expertise, accommodating close reading of individual works of art and architecture, as well as broad theoretical issues.
In this issue:
Illusion and Involvement: The lost Baroque architecture of St George's Hall
at Windsor Castle
Drawing Distinctions: Jean-Etienne Liotard in Constantinople and Vienna
Memory in Ruins: Maarten van Heemskerck's Self-portrait with the Colosseum
Production in View: Allan Sekula's Fish Story and the Thawing of Postmodernism
Sophie, Sarah and Sigmund: Hysterics in the Freud Museum
MIND THE GAP. Rauschenberg's Combines in Paris from 1959 to 1964 and Denis
Roche's Poetic Endeavor