Volume 3 | Issue 2 | 2013

 

IMMEDIATIONS 2013immediations, the first research journal to come out of The Courtauld Institute of Art since its inception in 1932, publishes innovative research across the entire span of art history, from classical antiquity to the present day.

Reflecting the strong research record of the Institute, immediations approaches the history of art from a wide range of perspectives and expertise, accommodating close reading of individual works of art and architecture, as well as broad theoretical issues.


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In this issue:

 

'Emptiness as a protagonist'. Memory and Melancholy in Gabriele Basilico's Milano. Ritratti di fabbriche (1978-1980)

Alexandra Tommasini

 

Art That Does Not Make Noise? Mary Bauermeister's Early Work and Exhibition with Karlheinz Stockhausen

Irene Noy

 

Steining Steinberg, Steinberging Stein: From Tree to Landscape

Rebecca K. Wright

 

Problems and Tensions in the Representatino of the Sapeurs, as Demonstrated in the Work of Two Twenty-first Century Italian Photographers

Elizabeth Kutesko

 

Conversation

Re-Envisioning Knowledge: An Interview with Joanna Woodall and Eric Jorink

 

Honorary Address

Carlo Ginzburg


 

 

Back Issues

 

immediations Editorial Board 2014

 

Harriette Peel (editor-in-chief)

Eva Bezverkhny (marketing)

Marie Collier

Jessica Eisenthal

Lily Foster

Lydia Hansell  (book reviews)

Maria Alessia Rossi (subscriptions)

Laura Sanders

 



External Review Board


Simon Baker (Tate Modern)
Christina Bradstreet (Sotheby's Institute of Art)
Jill Burke (University of Edinbugh)
Caroline Campbell (Courtauld Institute of Art Gallery)
David Cunningham (University of Westminster)
James Cuno (J.Paul Getty Trust)
Kerry Downes (University of Reading Emeritus)
Helen Evans (Metropolitan Museum of Art)
Mechthild Fend (UCL)
Eric Fernie (Courtauld Institute of Art Emeritus)
Sarah James (UCL)
Richard Johns (National Maritime Museum)
Mark McDonald (British Museum)
Martin Myrone (Tate Britain)
Gill Perry (Open University)
John Newman (Courtauld Institute of Art Emeritus)
Richard Taws (UCL)
Genevieve Warwick (University of Glasgow)
Andrew Wilson (Tate)
Kim Woods (Open University)



Subscription


Please download the PDF subscription form and return to:

immediations
The Courtauld Institute of Art
Somerset House
Strand
London WC2R 0RN

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Full Page: £650

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Submission


immediations welcomes articles from current and recent postgraduate students at the Courtauld Institute. Please view the submission guidelines for information on how to submit.

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Email immediations@courtauld.ac.uk for further information.