Volume 2 | Issue 4 | 2011

Monsters lifting a stone slab)

immediations, the first research journal to come out of The Courtauld Institute of Art since its inception in 1932, publishes innovative research across the entire span of art history, from classical antiquity to the present day.

Reflecting the strong research record of the Institute, immediations approaches the history of art from a wide range of perspectives and expertise, accommodating close reading of individual works of art and architecture, as well as broad theoretical issues.


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In this issue:


 Illusion and Involvement: The lost Baroque architecture of St George's Hall
at Windsor Castle
 Wolf Burchard

Drawing Distinctions: Jean-Etienne Liotard in Constantinople and Vienna
 Francesca Whitlum-Cooper

Memory in Ruins: Maarten van Heemskerck's Self-portrait with the Colosseum
 Kaspar Thormod

Production in View: Allan Sekula's Fish Story and the Thawing of Postmodernism
 Bill Roberts

Sophie, Sarah and Sigmund: Hysterics in the Freud Museum
 Eleanor Nairne

MIND THE GAP. Rauschenberg's Combines in Paris from 1959 to 1964 and Denis
Roche's Poetic Endeavor
 Gilda Axelroud

Such a Mercurial Moment: Charlotte Cotton in conversation with Ben Burbridge

 

 

Back Issues

 

immediations Editorial Board 2011

 

Katherine Faulkner (Editor-in-chief)
Joceyln Anderson (Administrator)
Marie Collier
Jacopo Galimberti
Roo Gunzi
Jack Hartnell
Sara Knelman
Sam Rose (Reviews Editor)


External Review Board


Simon Baker (Tate Modern)
Christina Bradstreet (Sotheby's Institute of Art)
Jill Burke (University of Edinbugh)
Caroline Campbell (Courtauld Institute of Art Gallery)
David Cunningham (University of Westminster)
James Cuno (J.Paul Getty Trust)
Kerry Downes (University of Reading Emeritus)
Helen Evans (Metropolitan Museum of Art)
Mechthild Fend (UCL)
Eric Fernie (Courtauld Institute of Art Emeritus)
Sarah James (UCL)
Richard Johns (National Maritime Museum)
Mark McDonald (British Museum)
Martin Myrone (Tate Britain)
Gill Perry (Open University)
John Newman (Courtauld Institute of Art Emeritus)
Richard Taws (UCL)
Genevieve Warwick (University of Glasgow)
Andrew Wilson (Tate)
Kim Woods (Open University)



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immediations
The Courtauld Institute of Art
Somerset House
Strand
London WC2R 0RN

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Submission


immediations welcomes articles from current and recent postgraduate students at the Courtauld Institute. Please view the submission guidelines for information on how to submit.

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Email immediations@courtauld.ac.uk for further information.