MA programme Curating the Art Museum
Portrait of The Artist As...



The curators of the exhibition are all students on The Courtauld's MA Programme Curating the Art Museum. Several have written texts expanding on the exhibition. These 'spotlight' essays offer insight to many of the artworks and their creators, addressing themes of artistic inspiration and influence, as well as process and method.
These texts are intended as extensions of the exhibition and aim to provide further information and insightful anecdotes to those who are interested in learning more about the exhibition and the works on display.
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Spotlight on Jonathan Richardson the Elder (pdf) |
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Roger Fry may have revered Paul Cézanne, but his opinion of what it takes to be a great artist is perhaps not what we might expect. |
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How a recent discovery by Christie's Auction House has revealed an intriguing insight into the relationship between Francis Bacon and Lucian Freud. |
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George Mogg |
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Meredith More An impromptu snapshot shows the friendship between Richard Hamilton and filmmaker Derek Jarman, created in a series of Polaroid Portraits, and how the particular character of an artist may appear even through a photograph. |
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Mardee Goff Two artists in the exhibition, Richard Hamilton and Saul Fletcher, use the medium of Polaroid. Read on to find out why this medium can produce a particularly powerful portrait. |
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Mardee Goff A conversation between Glenn Brown and Mardee Goff regarding his work Decline and Fall and his working methods, recorded at Brown's studio in East London on 7 June 2012. |
