News Issue No. 12 Autumn 2001
Art on The Line: The Royal Academy Exhibitions at Somerset House 1780-1836
![]() John Russell, R.A., Portrait of John Withers, One of the Porters at the Royal Academy, pastel on paper, c.1792 |
When this affectionate portrait by John Russell,
the periods foremost pastellist, was exhibited in 1792, it presented
the spectator with a familiar sight; John Withers, Academy porter since
1770 and model in its life-class, stands at the foot of the famous staircase
to the main exhibition rooms and, holding aloft an entrance ticket and
a one shilling catalogue, welcomes the visitor to the exhibition of
1792. In the background, the contrast between the undisciplined, fashionable
crowd on the stairs and the cast of the Belvedere Torso — epitome
of classical masculine beauty and key model of the Academys drawing
class — intimates, ironically or perhaps unconsciously, the dichotomy
between the Academys lofty didactic aims and the popular appeal of
the summer exhibition as highlight of the 'season. By incorporating
the Torso, in place of the plaster model of the Furietti Centaurs,
which actually occupied that position in the entrance hall, Russell may
also have wanted to emphasise the realism of his approach to Withers, and
to art in general, over the idealised body of the classical past.
The portrait features in the Courtauld Institute Gallerys exhibition Art on the Line: The Royal Academy Exhibitions at Somerset House 1780-1836,
October 18 2001 — 20 January, 2002.
Anne Puetz
Curatorial Research Fellow

