Anfam, David, co-author Alfred Jensen, Concordance, Dia Center for the Arts, New York, 2003.
-- co-author, Charles Simonds, IVAM, Valencia, 2003.

Barassi, Sebastiano, Kettle’s Yard: An Illustrated Guide, Cambridge, 2002.

Campana, Claudia, Adolpho Couve: Una Leccion de Pintura, Editorial Eco, 2002.

Coldstream, Nicola, Medieval Architecture, Oxford History of Art, Oxford University Press, 2002.

Hearn, Karen, Marcus Gheeraerts II: Elizabethan Artist, Tate Publishing, London, 2002.
-- '"Only Matrimony Maketh Children to be Certain…": To Elizabethan Pregnance Portraits’, with Pauline Croft, British Art Journal, vol. 3, no. 3, Autumn 2002, pp. 19-24.
-- Review of the Prado exhibition 'Sale of the Century: Artistic Relations between Spain and Great Britain 1604-1655’, InformARTES, issue 2, Autumn 2002, p.9.
-- contributer to Elizabeth, exh. cat., National Maritime Museum, 2003.
-- Sir Anthony Van Dyck’s Portrait of Sir William Killigrew, Tate Publishing, London, 2003.

Henry, Tom, 'Luca de Ingegno et Spirito Pelegrino’, Atti des convegno de Studi su Matteo de Giovanni et il sviluppo della pala d’altare nel aretino e senese 1450-1500, Sansepolcro, 2002, pp. 151-9.

Jeffett, William,Joan Fontcuberta, Imaginary Gardens: Mapping Salvador Dali’s Landscapes, Salvador Dali Museum, St. Petersburg, 2003.

Klukas, Arnold, 'Anglican Liturgy and Music’, Sacred Music America, 2002.

Leavitt Bourne, Marcy, 'Talking About Landscape, with Ron Dutton, Roger Hannay and Clifford Bowen’, The Medal, Nol 42, British Museum, Spring 2003.

McClelland,Andrew, ed. Art and its Publics, Oxford, Blackwell, 2003.
-- 'From Boullee to Bilbao: The Museum as Utopian Space’, in E. Mansfield, ed., Art History and its Institutions, Routledge, London and New York, 2002, pp. 46-64.

Morris, Susan, 'Family and Friends: A network of lady pupils and patrons’ in Greg Smith, Thomas Girtin: The Art of Watercolour, exh. cat. Tate Publishing, London, 2002.

Panourgias, Klio, The Sculpture of Maurice Lambert, Lund Humphries, Oct. 2002.

Pergam, Elizabeth, 'Creating a Furore: Annibale Carracci’s Three Maries, Gainsborough’s Blue Boy, and Hanry Wallis’s Death of Chatterton at the Manchester Art Treasures Exhibition’, Apollo, June, 2002.

Putz, Catherine, Jacques Lipchitz, The First Cubist Sculptor, Lund Humphries, London, 2002.

Randolph, Adrian W.B. Engaging Symbols: Gender, Politics and Public Art in Fifteenth Century Florence, Yale University Press, New Haven and London, 2002.
-- 'Renaissance Household Goddesses: Fertility, politics and the gendering of spectatorship’, The Material Culture of Sex. Procreation and Marriage in Pre-Modern Europe, eds. Dr. Encarnacion and A. McClanan, Palgrave, New York, 2002, pp. 163-190.
-- and Thurber , T. Barton, eds. Likeness in an Age of Mechanical Reproduction: Printed and Medallic Portraits in Renaissance and Baroque Europe, Word and Image 19, nos. 1 and 2, 2003.

Rizzi, Mariella, 'Il Costume, Il Corpo Dell’attore, la Storia, Il Corpo Scritto, Universita di Bari, July, 2003.

Roberts, Eileen, 'Christopher Webb and Orchard House Studio’, The Journal of Stained Glass, Vol. XXV, 2003. pp. 79-95.

Shepherd, Rupert, — Shepherd, Rowena, eds., 1000 Symbols: What Shapes Mean in Art and Myth, Thames and Hudson, London and New York, 2002.

Sloman, Susan, Gainsborough in Bath, Yale University Press, New Haven and London 2002.

Steeds, Lucy, 'Deep Play’, Apparitio:, The Action of Appearing, Arnolfini, Bristol, 2002.
Wills, Catherine, High Society: The Life and Art of Sir Francis Grant, exc. cat., National Galleries of Scotland, Edinburgh, 2003.

Worsley, Giles, England’s Lost Houses, Aurum Press, 2002.