Note: We have listed below publications by former students which have been published between August 2004 and July 2005, where complete information has been sent to us, including page numbers. Ed.

Adams, Bruce, Rustic Cubism: Anne Dangar and the Art Colony at Moly-Sabata, Univ. of Chicago Press, 2004.

Andrew, Martin R., Maidenhead: A History and Celebration, Ottakars, 2004.

Barker, Emma, Greuze and the Painting of Sentiment, Cambridge University Press, 2005.

Barnett, Jennifer, “Five Embroideries of Emile Bernard: Characterisation, Investigation, and Research”, Stichting Textielcommissie, Nederland, Jaarboek, 2003, published 2004.

Bassett, Richard J., The Wilhelm Canaris Mystery, Weidenfeld & Nicholson, 2005.

Beddington, Charles, “Bernardo Bellotto and his Circle in Italy, Part 1: Not Canaletto but Bellotto”, Burlington Magazine CXLVI, No. 1219, 2004.
-- “Bernardo Bellotto and his Circle in Italy”, Part 2: The Lyon Master and Pietro Bellotti”, Burlington Magazine CXLVII, No. 1222, 2005.

Benitez-Johannot, Purissima, “Sieges d’Afrique Noire du Musee Barbier-Mueller, African Arts, Vol. 37, Spring 2004, pp. 64-81.

Berrebi, Sophie, “Tricks of the Trade”, in Saskia Janssen, ed. – Super Stage, Artimo, Amsterdam, June, 2004, pp. 161-173.

Blewett ,Morwenna, “William Nicholson’s Reverse Glass Paintings: An Investigation into the Materials and Techniques of the Knoblock Commission”, The Conservator, No. 28, 2004, pp. 26-34.

Bustin, Mary, “The Rules or Problems of Painting: Gwen John’s Later Painting Technique”, in David Fraser Jenkins and Christopher Stephens, eds. Gwen John and Augustus John, Tate Publishing, 2004.

Cannon-Brookes, Peter, “Irena Sedlecka”, Face 2004, exh. cat. London, May, 2004, pp. 16-19.

Cosh, Mary, A History of Islington, Historical Publications, London, 2005.

Crossman, Colette, “Priapus in Park Street: Revealing Zoffany’s Subtext in ‘Charles Townley and Friends’”, British Art Journal, Spring, 2005.

De Halleux, Elisa, Iconographie de la Renaissance Italienne, Flammarion, Paris, 2005.

Elliott, David S., Saki Satan: The Private and the Public, exh, cat., Gasworks Gallery, London, 2005.

Esposito, Donato, “Twin Passions: James McNeill Whistler, Albert Moore and Greek and Japanese Art”, British Museum Magazine, No. 48, 2004,
pp. 36-40.

Feather, Jessica, Art Behind Barbed Wire, National Museums, Liverpool, 2004.

Feldman, Kaywin, Collection Highlights: Memphis Brooks Museum of Art, Brooks Museum, Memphis, 2004.

Garlick, Kenneth J., Catalogue of Portraits in the Bodleian Library: A revision and expansion of Mrs. Reginald Lane Poole’s catalogue of 1912, Bodleian Library, Oxford, 2004.

Godden, Frances, “High Summer Comes to SW3: Summer Season Highlights”, Bonham’s Magazine, Summer, 2005.

Goodchild, Anne L., Christopher Wood: Between Poetry and Art, Sheffield Galleries and Museums Trust, 2004.

Gottschaller, Pia M., Palermo: Inside His Images, Siegl Verlag, Munchen, 2004.

Grauer, Elise F., “Bridging the Gap – Count Athanaty Raczynski and his Galleries in Poland and Prussia”, Artium Quaestiones XV, Poznan UP, 2004, pp. 5-42.

Gurland, Penelope, “R.B.Martineau”, New Dictionary of National Biography, Oxford University Press, 2004.

Holman, Martin, Neal Rock: Work from the Polari Range, FA Projects, London, 2004.
-- Terry Setch: Skateboarders, exh. cat., Campden Gallery, London, 2004.

Jackson, Anna M. and Jaffer, Amin, eds., Encounters: The Meeting of Asia and Europe 1500-1800, exh. cat.,V&A Museum Publications, 2004.

Knox, George,”Pulcinella in Arcadia”, Tiepolo:
Ironia e Comico, Fondazione Giorgio Cini, Venice, September 2004,pp.119-149.

Knox, George and Gealt, Adelhed, Giandomenico Tiepolo: Scene de vita Quoditiana a Venezia e Nalla Terrafirma, Milano, 2004.

Lankester, Philip J., “New Light on the Partnership of James Woolley and Thomas Deakin”, Arms and Armour, Vol.1, no. 2, 2004, pp. 159-164.

Leino, Marika A, and Burnett, Charles, “Myth and Astronomy in the Frescoes at Sant’Abbondio in Cremona”, Journal of the Warburg and Courtauld Institute, LXVI, 2005.

MacKrell, Alice, Art and Fashion, BT Batsford, London, 2005.

McNab, Robert, Ghost Ships, Yale University Press, 2004

Mount, Harry F., My Brief Career – The Trials of a Young Lawyer, Short Books, 2004.

Nuttall, Paula V., From Flanders to Florence: The Impact of Netherlandish Painting 1400-1500, Yale University Press, 2004.

Oliver, Lois, Boris Anrep: The National Gallery Mosaics, National Gallery Publications, London 2004.

Pissarro, Joachim S. Altering Egos: Cezanne/Pissarro; Johns/Rauschenberg – Two Studies of Intersubjectivity in Modern Art. Cambridge University Press, 2005.
-- Catalogue Raisonne of Camille Pissarro: Paintings, Skira, 2005.
-- Pioneering Modern Painting: Cezanne (1839-1906)
and Pissarro (1830-1903), Museum of Modern Art, New York, 2005.

Runeberg, Ulrik, “Immigrant Picture Restorers of the German-speaking World in England from the 1930’s to the Post-war Era”, in Shulamith Behr and Marian Malet, eds., Arts in Exile in Britain 1933-1945: Politics and Cultural Identity, Rodopi, Amsterdam /New York, 2005.

Salvesen, Magda and Cousineau, Diane, eds., Artist’s Estates: Reputations in Trust, Rutgers University Press, 2005.

Scourfield, Robert S., Lloyd, Thomas and Orbach, Julian, Buildings of Wales:Pembrokeshire, Yale University Press. London, 2004.

Stewart, J. Douglas, ‘John Closterman’, ‘Michael Dahl’, ‘Sir Godfrey Kneller’, ‘John Riley’, The New Dictionary of National Biography, Oxford University Press, 2004

Taylor, Michael R., “Another Form of Pacifist Demonstration”: New York Dada and the Cultural Politics of World War 1”in exh. cat. Dada: Zurich, Berlin, Koln, Hannover, New York, Paris, National Gallery of Art, Washington with Centre Georges Pompidou, Paris, and The Museum of Modern Art, New York, 2005.

Warner, Malcolm J., and Blake, Robin, Stubbs and The Horse, exh. cat. Yale University Press, London, 2004.

Publications by Staff may be found in the Institute’s Annual Report.