Badura-Triska, E, “Yves Klein en relation avec l’actionnisme viennois”, in Yves Klein, Corps Couleur, Immatérialité, Centre Pompidou Paris, 2006, pp 214-221

– “Yves Klein in Relation zum Wiener Aktionismus“, in Kat Yves Klein, Museum moderner Kunst Wien, Springer Verlag, 2007, pp 195-205

Baron, W, Sickert: Paintings and Drawings, Yale University Press, 2006

Beddington, C, Canaletto in England: A Venetian Artist Abroad 1746-1755, Yale University Press, 2006
– “Some Little-Known Venetian Views by Canaletto of the 1720s”, The Burlington Magazine, vol CXLVIII, no 1244, November 2006, pp 772-8

Beckwith, N, “Black is the new Black: Radical Chic on the Streets and in the Gallery”, Studio Magazine, Studio Museum in Harlem, Fall/Winter 2007, pp 38-39

Blackman, C J, “100 Years of Fashion Illustration”, Central St Martins, Laurence King Publishing Ltd, 2007

Bradley, S M, St Pancras Station (Wonders of the World Series), Profile Books, 2007

Brauer, F, “Dégénéréscence”, “Biopouvoir”, & “Bodybuilding”, in M Marzano, ed, Dictionnaire du corps, Presses Universitaires de France, 2007, pp 278-285, 137-140, 144-150
– “Le duo dangereux: «L’homme normal» et le corps dégénéré au temps de eugénisme”, in G Boëtsch, N Chapuis-Lucciani, D Chevé, & J-P Albert, eds, Représentations du corps. Le biologique et le Vécu. Normes et normalité, Presses Universitaires de Nancy, 2006, pp 94-112
– “Rationalizing Eros: The ‘Plague of Onan’, the Procreative Imperative and Duchamp’s Sexual Automatons”, in M Décimo, ed, Marcel Duchamp and Eroticism, English edition, Cambridge Scholars Press, 2007, pp 57-83
– “Les quatre saisons: Vivian Van Blerk’”, La Galerie Beckel Odille Boïcos, Paris, June 2006

Bronkhurst, J E, William Holman Hunt: A Catalogue Raisonné, Yale University Press, 2006

Clarke, L M, & C Winch, Vocational Education: International Approaches, Developments & Systems, Routledge, Aug 2007

Cove, S, “The Painting Techniques of Constable’s ‘Six-Footers’“, in A Lyles, ed, Constable: The Great Landscapes, Tate Publications, 2006, pp 50-67
– “Fit for Purpose: Constable’s Use of Millboard and Paper for Oil Sketching, c 1809-29,” in H Chivian-Cobb, ed, Constable’s Oil Sketches 1809-29: The Maria Bickness Years, Salander-O’Reilly Galleries, 2007, pp 114-141

Davidson, J L, Masters of the Bitten Line: Etching in the Age of Rembrandt, Auckland Art Gallery, 2006

Delaforce, A V, “From Madrid to Lisbon and Vienna: The Journey of the Celebrated Paintings of Juan Tomas Enriquez De Cabrera, Almirante De Castilla”, The Burlington Magazine, vol CXLIX, no 1249, April 2007, pp 246-255
– Review of P-J Mariette, Catalogues de la Collection d’Estampes de Jean V, Roi de Portugal, in The Burlington Magazine, vol CXLIX, no 1252, July 2007, pp 497-499

Dempsey, A, Destination Art, Thames & Hudson, 2006

Draper, P J, The Formation of English Gothic: Architecture & Identity, Yale, 2006

Esposito, D, “Dalziel’s Bible Gallery (1881): Assyria and the Biblical Illustation in Nineteenth-Century Britain”, in S Holloway, ed, Orientalism, Assyriology and The Bible, Sheffield Phoenix Press, 2006, pp 267-96
– “French Invasion”, British Museum Magazine, no 56, Autumn/Winter 2006, pp 40-1, 43-4
– “Modern Force”, British Museum Magazine, no. 57, Spring/Summer 2007, pp 44-7

Ewing, H P, The Lost World of James Smithson: Science, Revolution and the Birth of the Smithsonian, Bloomsbury, 2007

Fehlmann, M, “Under the Light of Helios: Early Photography and the Parthenon Sculptures”, Sculpture Journal, vol XV, no 2, 2006, pp 161-172
– “Casts & Connoisseurs: The early Reception of the Elgin Marbles”, Apollo, vol 165, no 544, June 2007, pp 44-51
– “As Greek as it gets: British Attempts to Recreate the Parthenon”, Rethinking History, vol 11, no 3, September 2007, pp 353-377

Goldsmith, J J, “The Crest of Newark-on-Trent”, Heraldry Gazette, New Series 103, March 2007, pp 4-5

Goodall, J A, Warkworth Castle & Hermitage, English Heritage Red Guide Series, 2006
– Ashby de la Zouche Castle & Kirby Muxloe Castle, English Heritage Red Guide Series, 2007

Gregos, K, Give(a)way – the 30th Annual 6th Biennial Exhibition of Visual Art, Gandon, 2006

Hallett, M & C Riding, Hogarth, Tate Publishing, 2006

Harris, A, “‘Almost Fashionable Again’: John Sell Colman & The Second World War”, in S Bayley and W May, eds, From Self to Shelf: The Artist Under Construction, Cambridge Scholars Publishing, 2007, pp 121-131

Harrison, C T, M Baldwin, & M Ramsden, Homes from Homes II, JRP/Ringer and Migros Museum, 2006

Hearn, K E, “William Cavendish and the Fine Arts: Patronage before the Exile,” and thirty-three catalogue entries, in Royalist Refugees: William and Margaret Cavendish in the Rubens House 1648- 1660,  Rubenshuis, 2006, pp 90-4, pp 130-3, 135-7, 139-51, 154-7, 160-1, 166-7, 178-9, 190-5, 204-5, 215, 218-9, 230-3, 244-5
– “Images of Ben Jonson”, in M Butler, ed, The Cambridge Complete Words of Ben Jonson (electronic edition), Cambridge University Press, 2007
– “‘Saved through Childbearing’: A Godly Context for Elizabethan Pregnancy Portraits”, in T Hamling & R L Williams, eds, Art Re-formed, Cambridge, 2007

Hennessy, C, “A Child Bride and her Representation in the Vatican Epithalamion, cod. gr. 1851”, Byzantine and Modern Greek Studies, vol 20, 2006, pp 115-150

Hetherington, P B, “The Image of Edessa: Some Notes on its Later Fortunes’”, in Byzantine Style, Religion and Civilisation. In honour of Sir Steven Runciman, Cambrdige University Press, 2006, pp 192-205
– “Byzantine Cloisonne Enamel: Production, Survival and Loss”, Byzantion, no 76, 2006, pp 185-220

Hopkinson, M J, Italian Prints 1875-1975, The British Museum, 2007

Jeffett, W F, “Salvador Dalí” and “André Masson”, in D Ades & S Baker, eds, Undercover Surrealism: Georges Bataille and Documents, Hayward Gallery, South Gank Centre and MIT Press, 2006, pp 94-101, 118-122

– “‘Il faut toujours replacer l’art dans la vie’: The Collection of the Fundació Pilar i Joan Miró” in Catàleg raonat del fons de la Collecció Fundació Pilar i Joan Miró a Mallorca / Catálogo razonado del Fondo de la Colección Permanente Fundació Pilar i Joan Miró a Mallorca, Lunwerg editores, 2006, pp 56-71, 598-603

Jenkner, I K, George Steeves Photographs, MSVU Art Gallery, 2007

Klein, H A, “Sacred Relics and Imperial Ceremonies at the Great Palace of Constantinople”, in F A Bauer, ed, Visualisierungen von Herrschaft, Byzas 5, 2006, pp 79-99

Klein, J R, “The Mask as Image and Strategy’”, in P Alarco and M Warner, eds, The Mirror and the Mask: Portraiture in the Age of Picasso, Museo Thyssen-Bornemisza and Kimbell Art Museum, 2007
– “Inventing Mediterranean Harmony in Matisse’s Paper Cut-Outs”, in V Jirat-Wasiutynski, ed, Visualising the Modern Mediterranean, University of Toronto Press, 2007

Knothe, F, “André-Charles Boulle’s early Production of Bureaux plats: a newly attributed Writing Desk in the Huntington Collection”, Furniture History, vol XLII, October 2006, pp 53-61
– “Himmlisches Blau”, exhibition review, in Weltkunst, no 01/2007, January 2007, p 95
– Catalogue entries in T P Campbell, ed, Tapestry in the Baroque, Threads of Splendor, The Metropolitan Museum of Art & Yale University Press, 2007, pp 365-373

Knox, G, “Domenico Tiepolo: the late drawings”, Arte/documento 21, 2006, pp 144-147
– & A Gealt, Domenico Tiepolo: A New Testament, Indiana University Press, 2006

Larsen, S, reviews in S Farthing, ed, 1001 Paintings You Must See Before You Die, Cassell Illustrated, 2006

Linger-Gaillard, I, “La chapelle de Ronchamp et ses influences sur l’architecture ecclésiastique contemporaine”, in Ronchamp, l’Exigence d’une Rencontre, Le Corbusier et la Chapelle Notre-Dame du Haut, colloque, Fage éditions, 2007, pp 95-101

Londos, E, “Kitch is Dead – Long Live Garden Gnomes’ in Home Cultures, vol 3, Berg Publishers, November 2006, pp 293-306

Lymberopoulou, A, The Church of the Archangel Michael at Kavazariana: Art and Society on Fourteenth Century Venetian-dominated Crete, Pindar Press, 2007
– “The Painter Angelos and Post-Byzantine Art”, in C M Richardson, ed, Locating Renaissance Art, Yale University Press, 2007, pp 174-210
– “Audiences and Markets for Cretan Icons”, C M Richardson, K W Woods, & A Lymberopoulou, eds, Viewing Renaissance Art, Yale University Press, 2007, pp 171-206
– Entries in Rennaissance Art Reconsidered. An Anthology of Primary Sources, C M Richardson, K W Woods, & M W Franklin, eds, Blackwell Publishing, 2007, pp 224, 228, 229, 230, 231, 232, 234, 235, 370, 371, 373, 374, 375, 376

Lyons, R, DVD, Dutch Portraits in the Age of Rembrandt and Frans Hals, National Gallery, 2007

Maynard, M, “Where do flappers fit in? The Photography of Modern Fashion in Australia”, Australian Cultural History, no 25, 2006, pp 273-290

– “Dress for Dissent: Reading the almost Unreadable”, Journal of Australian Studies, no 89, 2006, pp 103-112

Miller, L E, Balenciaga: The Couturiers’ Couturier, V&A Publications, September 2007

Mount, H F, Amo, Amas and All That – How to Become a Latin Lover, Short Books, 2006

Newby, Z, & R Leader-Newby, eds, Art and Inscriptions in The Ancient World, Cambridge University Press, 2007

Nadolny J, ed, with K Kollandsrud, M L Sauerberg & T, Froysaker, Medieval Painting in Northern Europe: Technique, Analysis, Art History. Studies in Commemoration of the 70th Birthday of Unn Plahter, Archetype Publications, 2006

Newall, C, “’Val D’Aosta’: John Brett and John Ruskin in the Alps, 1858”, Burlington Magazine, vol CXLIX, no 1248, March 2007, pp 165-72

O’Mahony, C, Brunel and the Art of Invention Sansom & Company, 2006
– “The function of ornament: the consolation of design in the Industrial Age”, in A Kelly, ed, Isambard Kingdom Brunel: in love with the impossible, Bristol Cultural Development Partnership, 2006

O’Mahony, M, Sport in the USSR: Physical Culture – Visual Culture, Reaktion Books Ltd, 2006
– Picasso, Flame Tree Publishing, 2006
– American Art, Flame Tree Publishing, 2006
Payne, C, Where the Sea Meets the Land: Artists on the Coast in Nineteenth Century Britain, Sansom & Company, 2007

Platt, VJ, “Honour Takes Wing: Unstable Images and Anxious Orators in the Greek Tradition”, in Z Newby & R Leader-Newby, eds, Art and Inscriptions in the Ancient World, Cambridge University Press, 2006

– “Making an impression: Replication and the Ontology of the Graeco-Roman Seal Stone”, Art History, vol 29, no 2, Blackwell, April 2006, pp 233-257

Powell, C F, Rascals and Ruins: The Romantic Vision of James Pryde, Fleming-Wyfold Art Foundation, 2006

Putz, CA, Lipchitz: The Ivam Plasters, Institut Valencia d’art modern, 2006

Rizzi, M, “Tissot e l’drie della moda” in De Nittis, ed, Tissot. Pittori della vita moderna, Shira, 2006

Rothwell, J & J Lomax, Country House Silver from Dunham Massey, National Trust Books, 2006

Rudolph, W, Vaudechamp in New Orleans, The Historic New Orleans Collection, 2007

Runeberg, U, “Sebastian Isepp’s Karriere als Gemalde – Restaurator in Exil (1938-1954), in G Frodl & E Brandstoetter, eds, Sebastian Isepp (1884-1954) – Werkverzeichnis der Gemaelde und Textbeittraege, Oesterreichische Galerie Belvedere, Verlag Galerie Welz, 2006, pp 64-71

Salmon, F, ed, Summerson & Hitchcock: Centenary Essays on Architectural Historiography, Yale University Press, 2006

– “Stuart as Antiquary and Archaeologist in Italy and Greece” in S Weber Soros, ed, James ‘Athenian’Stuart, 1713-1788: The Rediscovery of Antiquity, Yale University Press, November 2006, pp 102-145

Seewald, J, Theatrical Sculpture: Skulptierte Bildnisse berühmter englischer Schauspieler (1750-1850), insbesondere David Garrick und Sarah Siddons, Herbert Utz Verlag, 2007

Shepherd, R G, R J M Olson & P L Reilly, eds, The Biography of the Object in Late-medieval and Renaissance Italy, Blackwell, 2006

– & R Maniura, Presence: The Inherence of the Prototype within Images and other Objects, Ashgate, 2006

Simon, R J, Hogarth, France & British Art: The Rise of the Arts in Eighteenth-Century Britain, Paul Holberton Publishing in association with Hogarth Arts, 2007

Sloman, S Y, Landscape on Paper, Fine Art Ltd, May 2007

– “An Eighteenth-Century Stonecarver’s Diary Identified’”, British Art Journal, vol VII, no 3, Winter 2006-07, pp 4-13

Smith, M P, C Wright & C Gordon, British and Irish Paintings in Public Collections, Yale University Press 2006

Smith, B, The Formalesque: A Guide to Modern Art and Its History, Macmillan, 2007

Stockley, P, A Factory of Cunning, Harcourt-Brace, 2006
– The Edge of Pleasure, Harvest USA, 2006

Sujo, G, “Afterlife: Notes from Afar’, in Nurit David: I was born Chinese, Tel Aviv Museum of Art, May 2007
– “Avigdor Arikka, From Life: Drawings & Prints, 1965-2005”, in The Print Quarterly, Autumn 2007

Taylor, M R, “Jacques Lipchitz’s Seated Man (Meditation),” in G Tinterow, L M Messinger & N Rosenthal, eds, Abstract Expressionism and Other Modern Works: The Muriel Kallis Steinberg Newman Collection in The Metropolitan Museum of Art, The Metropolitan Museum and Yale University Press, 2007, pp 27-29
– “Giraffes on Horseback Salad: Salvador Dalí and the Marx Brothers” in M Gale, ed, Dalí and Film, Tate Publishing, 2007, pp140-153
– “Pères et fils: Dalí, Giacometti, et la légende de Guillaume Tell (Fathers and Sons: Salvador Dalí, Alberto Giacometti, and the Legend of William Tell)”, in A Ruffa, P Kaenel & D Chaperon, eds, Salvador Dalí à la croisée des saviors (Salvador Dalí at the Crossroads of Knowledge), Editions Desjonquères, 2007, pp 190-205
– “Marcel Duchamp’s Boîte-en-valise” in H S George, ed, Selected Paintings and Sculpture from the Collection of the Oklahoma City Museum of Art, Oklahoma City Museum of Art, 2007, pp 72-73
– Thomas Chimes: Adventures in Pataphysics, Philadelphia Museum of Art and Yale University Press, 2007

Trusted, M H, The Arts of Spain: Iberia and Latin America 1450-1700, Victoria and Albert Museum, 2007
– The Making of Sculpture, Victoria and Albert Museum, 2007

Underhill, N D, Nolan on Nolan, Penguin Australia, 2007

Underwood, H J & A Staley, Painting the Cosmos: Landscapes by G F Watts, Neville Keating Pictures, St James London, 2006

Van Cleave, C, Master Drawings of the Italian Renaissance, British Museum Publications, 2007

Verdi, R F, The Parrot in Art, Scala, 2007

Von Der Hagen, A-K, Magic Stones from Sanssouci Begegnungen, KVH Verlag, 2007

Warner, M J & P Alarco, The Mirror and The Mask: Portraiture in the Age of Picasso, Yale University Press, 2007

Watney, S P, “‘Sky Aspiring Pyramids’: Shakespeare and Shakespearean Epitaphs in Early Stuart England”, Church Monuments, vol XX, 2006, pp 103-117

– “Tunnel Vision: Photographic Seducation in Britain in the 1980s”, Afterimage, vol 33, no 4, Rochester, 2006, pp 32-36

Wharton, A, Selling Jerusalem: Relics, Replicas, Theme Parks, University of Chicago Press, 2006

White, CJ, The later Flemish Pictures in the Collection of H.M. The Queen, The Royal Collection 2007

Worth, R J, Fashion for the People: A History of Clothing at Marks & Spencer, Berg Publishers, 2007



This list is based on information provided by alumni, and covers those works published between October 2006 and October 2007. To the best of our knowledge, the information was complete and accurate at the time of print. Publications by current members of staff are published in the Annual Report. To update us on your own recent publications, please send back the enclosed alumni update form or email alumni@courtauld.ac.uk.