Dr Rebecca Arnold

Oak Foundation Lecturer
in History of Dress & Textiles

BA (King's College, University of London), MA (Courtauld Institute of Art, University of London), PhD (University College London)

Contact details

The Courtauld Institute of Art

Somerset House

Strand
London WC2R 0RN

+44 (0)20 7848 2407

rebecca.arnold@courtauld.ac.uk

Rebecca Arnold was educated at King’s College, London (BA Hons History, 1990), The Courtauld Institute of Art (MA History of Dress, 1993) and University College London (PhD, 2006). Before joining The Courtauld Institute of Art in 2009, she was a Research Fellow and Lecturer in the History of Design Department at the Royal College of Art and a Visiting Fellow at the Victoria & Albert Museum. In 2006, she was the first Guest Professor at the Centre for Fashion Studies at Stockholm University. In 2001, she set up and ran the BA (Hons) Fashion History and Theory at Central Saint Martin’s College of Art and Design.

Research Interests

Ready-to-wear fashion
Interwar French couture
Fashion and modernity
Dress and the body
Dress and the senses
Film and fashion
Dress and the everyday
American fashion
Fashion photography

Courses taught in 2010-11

BA1 Topic course: Sensory Encounters with Dress and Textiles
BA2 Period course: Dress and Identity in Twentieth-century Britain
BA2 Texts and Contexts course: Re-presenting the Past: Uses of History in Dress, Fashion and Art
MA Dress, Body, Space and Modernity: Fashion in the City, 1919-1939

Recent publications

Fashion, Desire and Anxiety book cover

‘The Concise Dictionary of Dress,’ Artangel.org.uk (2010)

Fashion: A Very Short Introduction, (Oxford University Press, 2009)

The American Look: Sportswear, Fashion & the Image of Women in 1930s and 1940s New York, (London & New York: I.B.Tauris/Palgrave, 2009)

‘Movement and Modernity: New York Sportswear, Dance and Exercise in the 1930s and 1940s,’Fashion Theory: The Journal of Dress, Body & Culture, vol. 12, no. 3, September 2008

‘ “Sometimes the Truth is Wicked:” Fashion, Violence and Obsession in Leave Her to Heaven,’ with Adrian Garvey, in Marketa Uhlirova, ed., If Looks Could Kill: Cinematic Images of Fashion and Violence, (London: Koenig/Fashion in Film Festival, 2008)

‘Fashion & Ethnicity’ SHOWstudio.com (2008)

‘Modern Fashions for Modern Women: The Evolution of New York Sportswear in the 1930s,’Costume, vol. 41, 2007

‘Madeleine Vionnet: A Case Study,’ in Bernardo Valli, Patrizia Calefato & Benedetta Barzini, eds., Dress & Ethics: Proceedings of the ‘Dress & Ethics’ conference, University of Urbino, (Rome: Littore, 2003)

‘Vivienne Westwood’s Anglomania,’ in The Englishness of English Dress, Christopher Breward, Becky Conekin and Caroline Cox, eds, (Berg, 2002)

‘Looking American: Louise Dahl-Wolfe's Fashion Photographs of the 1930s and 1940s,’ Fashion Theory: The Journal of Dress, Body & Culture, vol. 6, no. 1, February 2002

Fashion, Desire & Anxiety: Image and Morality in the 20th Century (I B Tauris, 2001)

‘Vionnet & Classicism’ in Vionnet, Judith Clark Costume Gallery (2001)

‘The Brutalised Body,’ Fashion Theory: The Journal of Dress, Body & Culture, vol. 3, no. 4, November 1999

‘Heroin Chic,’ Fashion Theory: The Journal of Dress, Body & Culture, vol. 3, no. 3, August 1999

Projects

Screen Search Fashion project

Keywords

Dress; Fashion; Body; Modernity; Ready-to-wear; Couture; New York; London; Photography; Sportswear.