Recently Completed PhDs
Modern and Contemporary
2009-10
Nicholas CULLINAN
Arte Povera: the Politics of History and Memory in Italy, 1964-1985
Supervisor: Dr Sarah Wilson
Aliya Nurtaevna Abykayeva DE TIESENHAUSEN
Socialist Realist Orientalism? Depictions of Soviet Central Asia, 1930s – 1950s
Supervisor: Dr Sarah Wilson
Alister MILL
Alfred Philippe Roll: the Career of a Third Republic Salon Painter (1870-1900)
Supervisor: Professor John House
Kristin PATTERSON
Framed Receptions: the Biographical Discourses of Eva Hesse and Ana Mendieta
Supervisor: Professor Mignon Nixon
Kate RANDOM LOVE
The Possibility of an Island: the Adolescent Condition in Contemporary Art in New York
Supervisor: Professor Mignon Nixon
Glenn SUJO
Yehuda Bacon: Disseminating Memory, Lines Across an Abyss
Supervisor: Dr Shulamith Behr
Wei Chuen Adele TAN
Looking for Ethics and Eros: Theorising Performance Art in China from 1979
Supervisor: Professor Mignon Nixon
Esmé WHITTAKER
The Arts and Crafts House in the Lake District: Buildings, Landscapes and Communities
Supervisor: Professor Caroline Arscott
2008-09
Rakhee BALARAM
Femmes Révolutionnaires: The Politics of Women’s Art, Theory and Practice in 1970s France
Supervisor: Dr Sarah Wilson
James BOADEN
The Avant-Garde as Swain: a Critical American Pastoral
Supervisor: Professor Mignon Nixon
Kathleen CAMPAGNOLO
Walter De Maria: Art and Homage, 1960-1972
Supervisor: Professor Mignon Nixon
Charlotte DE MILLE
Bergson in Britain c. 1890-1914
Supervisor: Professor Chris Green
Caroline LEVITT
Guillaume Apollinaire and André Breton: Encounters in the Avant-Gardes
Supervisor: Professor Chris Green
Mireya LEWIN
Antoni Tàpies and Cultural identity: Between the National and International,
1953-1976
Supervisor: Dr Sarah Wilson
Silvia LORETI
Avant-Garde Classicism: the Cases of de Chirico and Picasso, c. 1907-1924
Supervisor: Professor Chris Green
Antigoni MEMOU
From the Globalisation of the Movement (1968) to the Movement against Globalisation (2001): Social Movements, Photography and Representation in the Late Twentieth Century
Supervisor: Dr Julian Stallabrass
Sarah TURNER
‘Spiritual Rhythm’ and ‘Material Things’: Art, Cultural Networks and Modernity in Britain, c. 1900-1914
Supervisor: Professor Chris Green
Melanie VANDENBROUCK-PRZYBYLSKI
The Good, the Bad and the Beautiful: Representing the Conquest of Algeria, 1830-1848
Supervisor: Professor John House
2007-08
Hardy, Patricia
Victorian Images of Emigration 1840 – 1880
Supervisor: Dr Caroline Arscott
Horowitz, Noah
Value-Added: Contemporary Art in a Global Financial Marketplace
Supervisor: Dr Julian Stallabrass
James, Sarah Edith
Negative Aesthetics: the Late Art of East and West German Photography after 1968
Supervisor: Dr Julian Stallabrass & Dr Shulamith Behr
Wells, Rachel Helen
Scale in Contemporary Sculpture: the Enlargement, the Miniaturisation, the Life-size
Supervisor: Dr Julian Stallabrass
2006-07
Barr, Matthew
The Order of Madness: Michel Foucault and Art in France,
1954-84
Supervisor: Dr Sarah Wilson
Batalion, Judith
Women’s Collaborations in the Visual Arts (1970-2003)
Supervisor: Professor Mignon Nixon
Grant, Catherine
Different Girls: performances of adolescence in contemporary
photographic portraits
Supervisor: Professor
Mignon Nixon
Inglis, Lucy
Being International in Paris and London: International Style
Abstraction of the 1930s
Supervisor: Professor Chris Green
Johnson, Dominic
Oppositional Spaces: Politics of Performance in the 1980s
Supervisor: Professor Mignon Nixon
Kokkori, Maria
A Technical Study of Selected Paintings by Malevich, Popova and Kliun c.1905-1925
Supervisors: Dr
Aviva Burnstock and Professor
Mignon Nixon
Kyburz, Karin
The Right to Indifference: abstraction in the work of Gego (1912-1994) and Jesús Soto (1923-2005)
Supervision: Dr. Shulamith Behr
This candidate passed the viva in September 2007 and was formally awarded the PhD in May 2008
Pratt, Jonathan
Ambroise Vollard: Dealer and Publisher
Supervision: Professor John House
Pucci, Lara
Picturing the worker:
Guttuso, Visconti, De Santis and the Partito Comunista Italiano,
c.1944-1953
Supervision: Professor
Chris Green
Rosengarten, Ruth
Narrating the Family Romance: Passion and Power in the Work
of Paula Rego, 1990-2001
Supervisor: Professor
Mignon Nixon
Sloan, Rachel
Symbolism in Britain and France, c. 1878-1898
Supervision: Professor John House
Sørensen, Louise
Discrete Analogies: the Use of Digital Imaging Technologies in Contemporary Art Photography
Supervisor: Dr Julian Stallabrass
This candidate passed the viva in January 2007 and was formally awarded the PhD in October 2007.
Westley, Hester
Rites of Passage: Tradition and Transmission at St. Martin's
School of Art, 1960-1980
Supervisor: Dr
Sarah Wilson
This candidate passed the viva in April 2007 and was formally awarded the PhD in November 2007.
2005-06
Boldry, Isabel
Rescuing Wagner: the Cultural Politics of Set-Design in Germany 1924 -1938
Supervisor: Dr Shulamith Behr
Coulter, Ríann
Nationalism, Regionalism and Internationalism: Cultural Identity in Irish Art 1943-1960
Supervisor: Professor
Chris Green
Ireson, Nancy
Rousseau, Modernism and the Third Republic
Supervisor: Professor
Chris Green
Kierkuc-Bielinski, Jerzy
Confinement and Illusions of Freedom: the Dialogue between Polish and American Conceptual Art 1970-1981
Supervisor: Professor
Mignon Nixon
Hudek, Antony
Invisible Painting: Mimetic Pictorialism in Postmodern New York
Supervisor: Professor
Mignon Nixon
Koep, Daniel
Resurrecting Apollo: Figurative Sculpture by Gerhard Marcks in the Federal Republic and its reception in the context of German Philhellenism 1925-1970
Supervisor: Dr Shulamith Behr
Lovatt, Anna
Seriality and Systematic Thought in Drawing c. 1966-1976
Supervisor: Professor
Mignon Nixon
Miller, Charles
Ambivalent Visions: Picasso and Surrealism, 1925-1937
Supervisor: Professor Chris
Green
2004-05
Cochran, Janie Sara
Needing the Sun: Francis Picabia and the Riviera, 1925-1945
Supervisor: Dr
Sarah Wilson
Feldman, Paula
Made to order: American Minimal Art in the Netherlands , late 1960s to early 1970s
Supervisor: Professor
Mignon Nixon
Kusunoki, Sharon Michi
'A Creative Relationship': Presentation of the correspondence between Salvador Dali and Edward James, 1935-1940
Supervisor: Professor
Chris Green
McLendon, Matthew D.
L'Arte di Far Manifesti: The Evolution of the Italian Futurist Manifesto 1909-1915
Supervisor: Professor
Chris Green
Moschovi, Alexandra
Photo-phobia and Photo-philia: the Neglect and Accommodation of Photography in British Art Institutions in the Postmodern period
Supervisor: Dr Julian Stallabrass
Stonard, John-Paul
Art and National Reconstruction in Germany 1945-1955
Supervisor: Dr Shulamith Behr
Tøndborg, Britta
The Fine Art of Displaying a History of Art: Exhibiting and Cataloguing Art in Denmark from c.1760-1900
Supervisor: Prof John House
Wright, Barnaby
Modern Art and the Professionalisation of Culture: The Development of Modern Painting in England at the beginning of the Twentieth Century
Supervisor: Professor
Chris Green
