Research Forum Autumn Term 2013
THe Books That Shaped Art History: PAnel Discussion
Thursday, 31 October 2013
18.00, Kenneth Clark Lecture Theatre, The Courtauld Institute of Art, Somerset House, Strand, WC2R 0RN London
Speaker(s): Eric Fernie, Paul Hills, Susie Nash, John-Paul Stonard (The Courtauld Institute of Art)
Ticket/entry details: Open to all, free admission
Organised by: Professor Susie Nash
Which were the key books to have shaped art history over the twentieth century? Why were they so important and what have their legacies been? This panel discussion will focus on three of the most influential art historians of the past 100 years – Erwin Panofksy, Kenneth Clark and Michael Baxandall – before broadening into a wider discussion about the state of art history today.
Celebrating the recent publication of The Books that Shaped Art History by Thames & Hudson, the event will include short papers by Professor Susie Nash on Panofksy’s Early Netherlandish Painting: Its Origin and Character (1953), John-Paul Stonard on Clark’s The Nude: A Study of Ideal Art (1956) and Professor Paul Hills on Baxandall’s Painting and Experience in Fifteenth Century Italy (1972).
Former Courtauld Director Eric Fernie will then lead a panel discussion on art historiography to consider the questions and controversies raised both by these books and the other seminal texts that have helped to define the discipline.
The event will be followed by a reception and book signing.
Susie Nash is Deborah Loeb Brice Professor of Renaissance Art at The Courtauld Institute of Art, where she has taught for the last 20 years. She has published several books on late medieval and Renaissance art including Between France and Flanders. Manuscript Illumination in Amiens in the Fifteenth Century (British Library and Toronto University Press, 1999); Northern Renaissance Art (Oxford University Press, 2008), Late Medieval Panel Painting. Materials, Making and Meaning (Paul Holberton 2011) and a series of major articles on Claus Sluter’s ‘Well of Moses’ in The Burlington Magazine (2005,2006,2008).
Paul Hills studied the History of Art at the University of Cambridge and The Courtauld Institute of Art, London. After teaching for many years at Warwick University, he returned in 2003 to The Courtauld Institute as Professor of Renaissance Art. He has also been Visiting Professor at the Institute of Fine Arts in New York, at Villa I Tatti, the Harvard Center for Renaissance Studies in Florence, as well as the Royal College of Art in London. On his retirement in 2012 he was made Emeritus Professor at The Courtauld Institute of Art. His publications include The Light of Early Italian Painting, 1987, and Venetian Colour: Marble, Mosaic, Painting and Glass, 1999, (both Yale University Press). He is currently completing a book on Curtains, Veils and Drapery in the Renaissance.
John-Paul Stonard is a critic and historian of art. He studied at The Courtauld Institute, London, where he has subsequently worked as a Visiting Lecturer, specialising in modern German art. From 2010-11 he was a Senior Fellow at the National Gallery of Art, Washington DC. He has published widely in the field of twentieth-century art, and is a regular contributor to The Burlington Magazine, Artforum and the Times Literary Supplement.
Eric Fernie is a historian of the architecture of the Middle Ages, whose books include Art History and its Methods (1995) and The Architecture of Norman England (2000). Before retiring he was Director of The Courtauld Institute of Art.