2010 Recipients


Meredith Brown (The Courtauld Institute of Art), A History of A.I.R Gallery: Feminism and the Art Institution (1970s, New York)

Annika Hossain (Swiss Institute for Art Research), The United States' Participation at the Venice Biennale

Milena Tomic (University College London), Re-enactment, Repetition and the Mise-en-scène after Modernism

Johanna Renard (Université de Rennes 2), The Phenomenological Boredom. Gendered Temporality in Yvonne Rainer's Dance and Film (1961-1980)


Dr. Anna Lovatt (University of Nottingham), Drawing Degree Zero: The Line from Minimal to Conceptual Art

Dr. Katia Schneller (Université de Rennes 2), 'I Like America and America Likes Me': Between Internationalization and Americanocentrism, the Exhibitions of European Contemporary Art in the New York Institutions, 1969-1979

2009 Recipients


Shir Aloni, The Courtauld Institute of Art, Brushtstrokes: Hair in the Work of Contemporary Women Artists

Lisa Rossi, Paris, Université Paris Diderot – Paris 7, La Résurgence des Procédés Photographiques Anciens dans la Photographie Contemporaine aux Etats Unis et en Angleterre

Johannes Vogt, Freie Universität Berlin, From Object to Space: Early Room-sized Installations by Dan Flavin and Donald Judd


Dr. Laura Bieger, Freie Universität Berlin, John F. Kennedy Institut, The Body of Landscape: Land Art and its Politics of Space and Image

Dr. Sergio Cortesini, Università degli Studi di Cassino, The Diplomacy of Contemporary Italian Art in New Deal America

Dr. Philippe Simay, Université Paris – 1, Ville, Architecture et Vision Dynamique Chez László Moholy-Nagy

2008 Recipients


Katie Brandon, University of Manchester, 'The Book Works: Authorship, Artists' Books and Artistic Alternatives from the 1960s to the Present'

Hélène Valance, Université Paris 7, 'Nocturnes in American Painting 1890-1910'

Emilie Vergé, Université Paris 3, 'Stan Brakhage and Vision : Aesthetic and Figure Study of Filmic Image'


Annie Claustres, Université Lyon 2, Sculpture, Design and Mass Culture : The American Context in the 1960s and 1980

Eric de Bruyn, University of Groningen, Film as Anomaly : Studies in Post-Minimalism 1966-1973

Catherine Grant, Courtauld Institute/Slade School of Art, Fans of Feminism : Re-Writing Histories of Second-wave Feminist Art and Activism

2007 Recipients


James Boaden, Courtauld Institute, London
'The Avant-Garde as Swain: The Perpetually Outmoded and the Pastoral Attitude in the United States, 1945-1965 '

Pauline Chevalier, Université François Rabelais, Tours
'Artistic Practices in New York Alternative Art Sapces, 1969-1985'

Christian Hammes, Freie Universität, Berlin
'Between Presence and Absence: Poetics of Space in American Art of the 1960s and 1970s'


Frank Mehring, Justus-Liebig Universität, Giessen
“The Unfinished Business of Democracy”: The German-American Artist Winold Reiss and his Portraits of Ethnic America

Gaëlle Morel, Université Paris I Panthéon-Sorbonne, Paris
Another “Passeur”: The Photographic Modernims of the Gallerist Julien Levy (1931-1940)

Grischka Petri, Bonn Universität, Bonn
A Comparative Analysis of M. Knoedler & Co.’s Dealings in Whistler’s Prints (Sources and Destinations)

2006 recipients


Judith Batalion, Courtauld Institute, London

'Women’s Collaboration in the Visual Arts (1970-2000)'

Mark Edwards, 'Real Sites: Re-Stagings of the Everyday in Works by Dan Graham, Michael Landy and Jeremy Deller'


Dr. Sophie Berrebi, Courtauld Institute, London

Dubuffet and Modernism