Dr Tom Nickson
BA (Cantab), MA, PhD (Courtauld, University of London)
The Courtauld Institute of Art
Tom Nickson read Art History at Cambridge, and it was while walking the roads to Santiago de Compostela on a cheap student holiday that he first discovered his love of Spanish medieval art and architecture. He moved to the Courtauld Institute for his MA (2005), and in 2009 received his PhD from the Courtauld. He was lecturer in medieval art and architecture at the University of York from 2009, and then returned to the Courtauld in 2012. He is co-editor of the visual arts issue of the Hispanic Research Journal and Chair of ARTES, a charity dedicated to raising awareness and understanding of Iberian and Latin American visual culture.
Tom investigates two areas that intersect in the Iberian Peninsula. Research in the early stages of his career focused on gothic art and architecture across Europe, particularly its relationship to sacred and profane uses of space. Recent work interrogates the connections between art and belief in medieval Iberia, particularly as a consequence of encounters between Christian, Islamic and Jewish traditions. His book, ‘Toledo Cathedral: Building Histories in Medieval Castile’ will be published by Penn State University Press in January 2016. This work provides a new history of Spain's primatial cathedral, analysing its architecture, urban setting, decoration and liturgy as a way of addressing issues of wider significance for the Iberian Peninsula.
- The spread of gothic architecture in medieval Europe and technologies of architectural transmission.
- 19th- and 20th-century architectural criticism and revivalism.
- Relationships between performance and material culture.
Courses taught 2012-14
- MA: Gothic Encounters: Architecture & Emulation in the Middle Ages
- BA (1st year): Power & Piety: Medieval Westminster
- BA (2nd year): The Virgin's Places, 1220-1350: Church, City and Realm
- BA (3rd year): Art & Identities in Medieval Spain
Tom is particularly interested in hearing from students thinking of pursuing doctoral research in the fields of art, architecture and visual culture in medieval Europe (and its historiography), and cultural exchange in the medieval Mediterranean.
- 'Decorative Vaults in Fourteenth-Century England'
- 'The Lost Romanesque Cathedral of Tortosa: 1148-1347'
- 'Altar Furnishings in Castile, c. 1200-1350'
- 'Toledo Cathedral: Building Histories in Medieval Castile' Penn State University Press due out in February 2016
- 'Remembering Fernando. Multi-lingual inscriptions in medieval Iberia', in Viewing texts: Inscriptions as image and ornament in the Late Antique and Medieval Mediterranean, ed A. Eastmond
- ‘The Sound of Conversion in Medieval Iberia’, in Resounding Images: Medieval Intersections of Art, Music, and Sound, eds S. Boynton and D. Reilly (Brepols)
- ‘Texts and Talismans in Medieval Castile’, in Art in Translation, 5 (Jan 2015)
- Picturing Kingship in Medieval Castile, eds. T. Nickson and K. Donahue-Wallace, special 2012 issue of the Hispanic Research Journal, with papers from a conference organised in York in July 2011.
- 'Copying Córdoba? Toledo and Beyond', The Medieval History Journal, 15:2 (2012), 319-354.
- 'The First Murder: Picturing Polemic c. 1391', in The Hebrew Bible in the Fifteenth Century: Exegesis, Literature, Philosophy, and the Arts (eds Jonathan Decter and Arturo Prats), 2012, pp. 41-60
- 'Reframing the Bible: Genesis and Exodus on Toledo Cathedral's Fourteenth-Century Choir Screen', in Gesta, 50:1, 2011, pp. 71-89
- 'Art and Belief in Medieval Castile', in Spiritual Temporalities in Late-Medieval Europe (ed. M. Foster), 2010, pp. 99-126.
- 'La Catedral: su Historia Constructiva', in La Catedral Primada de Toledo (ed. R. Gonzálvez), 2010, pp. 148-161.
- 'The Locked-Up Garden. Art and Nature in Medieval Castile', Immediations 2:2, 2009, pp. 19-29.
- 'The Royal Tombs of Santes Creus: Negotiating the Royal Image in Medieval Iberia', Zeitschrift für Kunstgeschichte, 72:1, 2009, pp. 1-14.
- 'Moral Edification at Gonville and Caius College, Cambridge', Architectural History, 48, 2005, pp. 49-68 (winner of the Hawksmoor Medal from the Society of Architectural Historians of Great Britain).